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charmed paige rencontre prue rencontre essaouira maroc Luis Vasquez has performed since 2009 under the name The Soft Moon, his post-punk project tinged with industrial and cold wave influences. Vasquez is a tortured, unstable artist, who channels all his anxious energy into his intoxicating tracks. We caught up with him for the release of his new album, Criminal, to talk about his background, inspirations, and music’s therapeutic power.

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rencontre coquine vivastreet lieu de rencontre sans lendemain When I listened to my own music, or music in general, I would see shapes so it was natural to incorporate that in the visual aesthetic of my project. But times change. (laughs) Still, I could go back to that, but I wanted to try something new. I feel confident about it. I’m also singing a lot more on this album. I’m putting myself more out there.

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code promotion rencontre cougar rencontre benoit xvi et pape françois Guilt. Self-hatred. Just talking about personal problems that I have. For instance, the track called “Like a Father” is the first time I’ve ever sung about not having a dad. Also, my very first love song is on this record. I’m just breaking out more I guess.

rencontres à elizabethtown dpstream rencontre malaisie rencontre sexe lot The album also sounds much more industrial and has a certain 90s sound to it, taking us back to bands like Nine Inch Nails. Was that intentional?

rencontre au moyen orient rencontre gournay Not really. I can’t get away from that comparison for some reason. (laughs) I didn’t really grow up listening to Nine Inch Nails. I knew all the hits of course, just as much as anyone else does, but I was never an avid listener. Maybe we’re similar people. What I do is my honest expression, what comes out is always pretty dark, rhythmic at times. If it sounds like another band, it’s totally unconscious. There were even moments in the studio when I was writing a song and as I am producing it, I realize some parts are a little too much and end up changing them. I always purposely try to avoid any sort of comparison.

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bar pour faire des rencontres paris rencontre a kinshasa Yes, that’s how it works now. When people talk about music, all they do is make comparisons, they don’t talk about how the song made them feel. It’s also how you get people to listen. So I guess it works in a positive way, too.

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site de rencontre de montreal site de rencontre vive les rondes Yes! I wrote my first song when I was twelve and played in my first band when I was fifteen. I’ve been in many punk bands since then. It wasn’t until 2000 that I started buying electronic music. I didn’t want to play guitar as much anymore, so I would mess around, wanting to start a solo project, but nothing too crazy happened until I started working on the Soft Moon. I had given up on trying to be someone I wasn’t. I always wanted to reinvent music, that was my biggest goal. When I decided to stop all that and just express myself, it worked out.

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rencontre cuisine célibataire site de rencontre parle avec moi Sort of, yeah. I sometimes read about it, but I stopped going on Pitchfork and other similar websites. I used to be obsessed with searching for new music, that was my thing. In a way, now that I’m successful with my own project, I feel like I’ve graduated. I’ve spent too many of my years listening to it and now it’s my turn to make it.

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7eme rencontre renaudot site rencontre amicale marseille Definitely. I get people writing me all the time if they’re going through a breakup or a death in the family… My very first die-hard fan was way back when I came up with the first record, and we used to chat on Facebook. He lives somewhere in the UK. This was back when I could actually sit down and talk to fans. Anyway, he told me that he had AIDS, his boyfriend was about to die from it, and that my music helped him get thought all that. My fanbase has always been very open and connected with my music. The majority of my fans are people who go through similar issues in their personal life.

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rencontre lessines rencontres dordogne Yes, the process is very hard. It’s not hard to express myself with music. It’s like seeing a therapist when you have depression. You have to face something that caused the depression. That’s the hard part. With my music, it’s a love/hate thing. It hurts to write, it’s torture. But then the outcome is amazing, that’s the part I live for.

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oneshot date rencontre rencontres musicales internacionales en wallonie No, it’s not literal at all. There were a lot of crimes in the neighborhoods I grew up in. In east Los Angeles, for example, which is known for gangs. My uncle has been in a gang his whole life and now he’s in prison forever. I was getting involved with gangs when I was younger. That’s why I moved to the Mojave desert. I’ve always been around a lot of violence, criminal violence. Of course that plays a part in my outcome, but the title is more about me having hatred towards myself and feeling like I’m a bad person, because of the guilty conscience that I have. I’ve been raised Catholic and have been accustomed to feeling bad and thinking everything that I do is wrong. That’s why I’m calling myself a criminal, even if I’m being a bit dramatic. In a way, my music is dramatic.

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rencontre ben ali et leila rencontre turretot Totally. If I was a normal person feeling basic emotions, I don’t think people would even listen to my music. You have to be extreme in a way.

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pathologie de rencontre sites de rencontres francaises That just left me feeling like I was on the right track. It was an amazing sense of accomplishment. Just being there, watching them perform every night in front of 20,000 people, sold out… Being a part of that was insane. Martin Gore personally contacted my manager because he liked my work, so that was even more rewarding. That was a very happy and emotional moment in my life. It kept me going.

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rencontres fle rome la rencontre amoureuse roman It was the second time they’ve done that. They’re notorious for canceling their tours right before they start. They asked us a first time and then had to cancel. Then a year later, they contacted us again and said they were sorry and they would offer us more money. Then they cancelled again. (laughs) It was unfortunate. We had already booked all the in-between dates so we were counting on this to work. I had already paid for visas for my bandmates to come from Italy, flight tickets, and all this stuff. Last minute, my booking agent went crazy and put together a tour regardless and it turned out good.

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ovs rencontres paris afro rencontre gratuit I think I just look at it as art, but I came away from that. I started out very experimental, very atmospheric, I wasn’t really writing proper songs. In a way, it was a bit more artistic. Now I’m going towards more song-based material. Perhaps I’ll go back one day. It’s still always art for me. There’s a whole aesthetic to the Soft Moon, whether it be on stage or in music videos. There’s an image in all the merch, the album covers, and everything. If you look at it as a whole, it does resemble an art project.

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big bang theory rencontre entre sheldon leonard site de rencontre twoo belgique I was very inspired by Hans Richter, Rodchenko, the constructivist movement in general. Also, I love Pierre Soulages. All the expressionists. Jackson Pollock would be the most obvious one I could think of. Cy Twombly is another of my favorites.

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faire des rencontre a sydney rencontre celine dion et rene angelil site de rencontre amoureuse ivoirienne Yes, they are my main inspiration while writing music. I don’t tend to listen to other bands. I love watching films and paying attention to the sounds. I think film scores are getting better and better. For me, it’s amazing what’s happening in film. I just saw où trouver les prostituées à abidjan The Killing of a Sacred Deerchatroulette francais chat et rencontre and the soundtrack is amazing. I was blown away. I’m working towards doing my own film score one day. I think it’ll be challenging.

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